Schiff plays Bach, BWV 826
From a 2000 performance at the Mozartsaal at Schloss Schwetzingen, Germany, pianist András Schiff performs J. S. Bach’s Partita No. 2 in C minor (there are a couple of small ‘blink-outs’ in the video, but no worries):
Part I – (Sinfonia, Allemande)
Part II – (Courante, Sarabande, Rondeau, Capriccio)
With the likely exception of the Goldberg Variations (Schiff’s take on those, b.t.w., can be found here), this particular partita is my personal favorite among Bach’s clavier works. It is in the rich, dark key of C minor that we might associate with Mozart’s Sonata K. 457, or Beethoven’s Concerto No. 3, Op. 37, but there is nothing mournful, angry, or ominous about the tonality in this instance. To me, it suggests perhaps the green abundance of summer on an overcast day, with bees buzzing all around.
While my first pick is Martha Argerich’s live recording for Deutsche Grammophon from ’78 or ’79, Schiff’s interpretation is superlative in several respects. The balance and interaction between voices is handled with astonishing grace, Schiff makes excellent use of tone color, and the tempos are sensible and not romanticized. Schiff’s agréments in repeated sections are clever, creative, and cleanly executed. His reading of the Capriccio is a bit on the heavy side for my preference, but it is as texturally clear and as colorful as any of the other movements, so I don’t complain. All in all, a masterful performance.
It was the Capriccio, actually, that first drew me to this partita. It’s a complete masterpiece in miniature, and full of technical and musical problems for the performer, but also represents Bach at his most whimsical. Here’s an Argerich performance from Verbier last year.